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This work explores the technological and philosophical history of inflatable art, architecture and design up to the present day, examining its presence in all aspects of life, from children's toys to military craft. The author illustrates the countless uses of air-filled forms, revealing how inflatable objects still evoke the sense of optimism and escape that inspired the first designers in this field, the 18th-century inventors of the hot-air balloon. The author argues that, although inflatable forms have been around for centuries, scientists, architects, artists and manufacturers keep rediscovering this deceptively simple technology. He explains how some of its first applications were extreme environments, where it appealed to scientists and the military. But in the 1960s, artists such as Andy Warhol and Claes Oldenburg, and design collectives such as Utopie and Archigram, used pneumatic forms to challenge conventional assumptions about the role of materials in art and architecture. Contemporary designers such as Verner Panton and Issey Miyake have incorporated blow-ups into their work, and today inflatables have entered the mainstream market in such diverse structures as toys, furniture and walk-through environments. The artists featured in the book include: Victor Lundy; Hans-Walter Mueller; Otto Frei; Yayoi Kusama; Christo; Claes Oldenburg; Jeffrey Shaw; Lygia Clark; Takashi Murakami; Takahiro Fujiwara; Philippe Parreno; Andy Warhol; Issey Miyake; Archigram; Walter Bird; AJS Aerolande; Francisco de Goya; Haus Rucker; Quasar Khan; Nicholas Grimshaw; and Verner Panton.

• Sales Rank: #1855887 in Books
• Brand: Brand: Prestel Publishing
• Published on: 2002-05
• Original language: English
• Number of items: 1
• Dimensions: .81" h x 7.90" w x 7.90" l,
• Binding: Hardcover
• 160 pages

Features

• Used Book in Good Condition

From the Publisher
Inflatable forms have been around for centuries, but scientists, architects, artists, and manufacturers keep rediscovering this deceptively simple technology. Some of its first applications were extreme environments, where it appealed to scientists and the military. But in the 1960s artists such as Andy Warhol and Claes Oldenburg, and design collectives such as Utopia and Archigram, used pneumatic forms to challenge conventional assumptions about the role of materials in art and architecture. Contemporary designers such as Verner Panton and Issey Miyake have incorporated blow-ups into their work, and today inflatables have entered the mainstream market in such diverse structures as toys, furniture, and walk-through environments. This unique work brings the technological and philosophical history of pneumatics into the present, beautifully illustrating its countless uses as it reveals how inflatable objects still evoke the sense of optimism and escape that inspired the first designers in this field.

About the Author
Sean Topham studied design and currently works as a writer and journalist. His interest in plastics began while writing a documentary on Action Man. He lives in London, England.

Most helpful customer reviews

5 of 5 people found the following review helpful.
A fascinating book. A great gift.
By vw
Start dreaming. Let yourself be carried away into an amazing world of Art, Architecture and Design. And order another book for your best friend.
This is what blowup will do to you.
My wife is the design author Ingrid Wenz-Gahler, and when I gave her this book her first words were: How much work to get all this information, to collect all those pictures. She knows what she is talking about.
blowup by Sean Topham is a richely illustrated history of inflatable design and pneumatic technology which encompasses us in all aspests of life. This book takes you through two hundred years of engineering inflatables from the first start of a Montgolfière in France in 1783 to pneumatic dummy Sherman tanks used in World War II by the British and to architectural challenges like the Eden project of 2001 in the American West.
What I like most about this book is the use of inflatables in modern art, the film industry and even fashion. Sean Topham has looked into every corner of this world and came up in this book with pictures of Woody Allen in an inflabable body-suit for the film Sleeper, with fashion created by Jean-Paul Gaultier and many others, and with countless pieces of art like Andy Warhol's Silver Clouds and Hans Haakes Sky Line. - Just to name a few.
What Sean Topham is showing us that inflatable art, architecture and design is adding beauty to our lives. WELL EARNED FIVE STARS.

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[K205.Ebook] Download Ninth Ward, by Jewell Parker Rhodes

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Twelve-year-old Lanesha lives in a tight-knit community in New Orleans' Ninth Ward. She doesn't have a fancy house like her uptown family or lots of friends like the other kids on her street. But what she does have is Mama Ya-Ya, her fiercely loving caretaker, wise in the ways of the world and able to predict the future. So when Mama Ya-Ya's visions show a powerful hurricane--Katrina--fast approaching, it's up to Lanesha to call upon the hope and strength Mama Ya-Ya has given her to help them both survive the storm.

Ninth Ward is a deeply emotional story about transformation and a celebration of resilience, friendship, and family--as only love can define it.

• Sales Rank: #49866 in Books
• Brand: Little, Brown Books for Young Readers
• Published on: 2012-04-10
• Original language: English
• Number of items: 1
• Dimensions: 7.75" h x .75" w x 5.25" l, .40 pounds
• Binding: Paperback
• 224 pages

From School Library Journal
Gr 5-8–Communicating with ghosts, including the spirit of her mother who died giving birth to her, is a gift that Lanesha, 12, has had for as long as she can remember. The girl's beloved caretaker, Mama Ya-Ya, a midwife and healer, has a gift that allows her to predict the future. When she begins to sense that a big storm is coming to their much-loved New Orleans neighborhood, both she and Lanesha must trust in their senses and in one another to survive. Lanesha is a wonderful character who exudes resilience and fortitude in the face of a catastrophe as well as a personal vulnerability in terms of her status as an orphan and an outsider. Words, numbers, and colors as seen through her eyes show the magic and wonder that exist in everyday things. The unique writing style even allows the unlikely combination of elderly Mama Ya-Ya's heady scents of Vicks Vapor Rub and Evening in Paris perfume to seem wonderful and inviting. Although the outcome of Hurricane Katrina is known, the clever writing allows the unavoidable tragedy to unfold in such a haunting and suspenseful manner that the extreme sense of foreboding and ultimate destruction is personalized and unforgettable. Heartbreak and hope are reflected in Lanesha's story, which will capture even reluctant readers due to the inventive storytelling and the author's ability to bring history to life.Margaret Auguste, Franklin Middle School, Somerset, NJ
© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
New Orleans during Hurricane Katrina is the setting for this tense novel that blends the drama of the catastrophic storm with magic realism. Twelve-year-old Lanesha’s teenage mother died while giving birth to her, and, because her mother’s wealthy uptown family won’t have anything to do with her, she is raised in the Ninth Ward by loving Mama Ya-Ya, 82, who feels like her “mother and grandmother both.” Born with a caul over her eyes, Lanesha is teased at school, but she is strengthened by her fierce caretaker’s devotion and by a teacher who inspires Lanesha to become an engineer and build bridges. Lanesha also has “second sight,” which includes an ability to see her mother’s ghost. As the storm nears and the call comes for mandatory evacuation, Mama Ya-Ya envisions that she will not survive, but Lanesha escapes the rising water in a small rowboat and even rescues others along the way. The dynamics of the diverse community enrich the survival story, and the contemporary struggle of one brave child humanizes the historic tragedy. Grades 5-8. --Hazel Rochman

About the Author
Jewell Parker Rhodes is the author of Ninth Ward, a Coretta Scott King honor book, and Sugar, winner of the Jane Adams Peace Association book award. She has also written many award-winning books for adults. Jewell lives with her family in Arizona.

Most helpful customer reviews

25 of 26 people found the following review helpful.
What a pleasant surprise!
By M. Heiss
I actually like this book. I was NOT expecting to like it, at all. The first pages open with a little girl born with a caul, a magical midwife tells her she has second sight, and she sees ghosts.

Groan... Could it get any worse?

In fact, it gets better. MUCH better. I have no reservations about my children reading this book.

Yes, there is a bit of an altar situation with Catholic saints and voodoo gods, and quite a few ghosts. Our family doesn't do ghosts. But it's good fiction, and the religion stuff is no weirder than the religion in "A Secret Garden" by Frances Hodgson Burnett.

GREAT pro-school message. Being smart is what helps Lanesha survive the hurricane and flood. GREAT math teacher. GREAT neighbors and adults, and a respectful way of treating others. GREAT vocabulary.

heritage
synopsis
tragedy
suspension
exasperated
intervals
unfathomable

A very good story about love, loss, survival and rebirth. The book's message about the flood is: It doesn't matter where the flood comes from. Sometimes, the flood just comes.

Parent notes: illegitimacy, abandonment by extended family, some abuse of animals, some bullying, one death by gunshot, ghosts, voodoo, no politics

9 of 9 people found the following review helpful.
A Gift of Children's Literature!
By Angela of Color Me Purple
Ninth Ward by Jewell Parker Rhodes
I just completed Jewell Parker Rhodes' latest book--her first written for young
people. Its Title--Ninth Ward. Its Setting--New Orleans during Hurricane Katrina.
Its focus--Lanesha, a twelve year old born with a caul covering her head and
face, who is connected to the spiritual world and her Mama Ya Ya. Through a
child's eyes we watch a neighborhood in the Ninth Ward of New Orleans
experience the arrival of Hurricane Katrina, the surge of the Mississippi River as
the levees give way, the destruction of a rich vibrant community made up of
people who have so little, but share what they have with each other. This is a
story of love, courage and strength as the ancestors encourage two young
children to have faith in themselves if they want to survive. Jewell Parker
Rhodes says that she wanted to grow up enough to write her first book for young
people--she has more than made up for making us wait so long by penning this
magnificent story for youngsters and oldsters, one that I will share with many. A
MUST READ.

11 of 13 people found the following review helpful.
"How can it be mandatory if I don't have a way to go?"
By Luan Gaines
In a novel for younger readers, Jewel Parker Rhodes tells the story of thirteen-year-old Lanesha, a girl who lives in New Orleans' Ninth Ward pre-Katrina with a grandmotherly lady she calls Mama Ya-Ya. The relationship between elderly woman and child, while not of blood, is one bound in spirit and love. With her roots in the old voodoo ways, Mama Ya-Ya combines a nurturing presence with the wisdom of her years; in fact, it was Mama Ya-Ya who delivered Lanesha when the girl's mother died in childbirth. As well as Mama Ya-Ya, it isn't uncommon for Lanesha to see ghosts, among them her mother, and others who wander the streets of New Orleans, a city with a particularly rich cultural history. As Katrina approaches, Mama Ya-Ya senses something more than a storm, though her weary soul cannot see clearly what is ahead. As the old lady dreams, Lanesha takes over, preparing for the hurricane, boarding windows, preparing food.

There is an almost allegorical sense of the old giving way to the new in this poignant tale, albeit with an uncertain future. An avid student who dreams of building bridges, Lanesha's curiosity is insatiable, but it is her compassion and bravery that will inspire young readers, the spiritual ties between generations and the capacity to entertain the extraordinary. The author clearly loves this city and its wealth of history and stories, however it may have been damaged by Katrina and its shameful aftermath. And she writes with the same fluid grace and turn of phrase that has distinguished her adult novels. Lanesha's world may have changed with Katrina's devastation, but she is truly a child of Mama Ya-Ya's heart, buoyed by her appetite to taste the world and her appreciation of others, real or imagined. Luan Gaines/2010.

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[D908.Ebook] Free Ebook Paper Clay for Ceramic Sculptors: A Studio Companion, by Rosette Gault

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Book by Gault, Rosette

• Sales Rank: #2069442 in Books
• Brand: Brand: Clear Light Pub
• Published on: 1993-07
• Ingredients: Example Ingredients
• Original language: English
• Binding: Spiral-bound
• 71 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

7 of 14 people found the following review helpful.
easy and clear
By HENRIQUE MARGULIS
i have found this companion boock easy and clear to follow.it have beeing a great help developing new forms in my studio.

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